The Best TV Shows on Channel 101

The first Channel 101 series ever to go three consecutive months at #1, House of Cosbys was one of those rare 101 breakouts that went on to satisfy the world. In the show, the real Bill Cosby never came along and destroyed his own clones, but in real life, creator Justin Roiland and channel101.com site administrator Dan Harmon received "cease and desist" orders from Cosby's attorney in June 2005. The legal questions ground HOC's intensive animation process to a halt and House of Cosbys became Channel 101's first show to be killed not by the audience or by its own creator, but by lawyers. An unofficial fifth episode was created for the live screening by Romano and Falconer but is not served by channel101.com for genuine legal concerns. However, due to outcry and outrage, Channel 101 will continue to carry the first four episodes for your enjoyment.

An award-winning series from Channel 101's short film contest in the early 2000s. It mocks the soap opera television genre and satirized life in Malibu, California. There were seven episodes filmed, with an eighth episode "apology" also submitted after the creators decided to end the series. The original run was created by The Lonely Island; and starred Andy Samberg, Jorma Taccone and Sarah Chalke.

Eugene Murzowski unknowingly creates Computerman, a powerful but naive cyborg, when a drop of his blood hits his computer keyboard.

Time Belt is a science fiction/comedy series created by Chris Tallman that ran from 2003-2004 on Channel 101. The series followed the adventures of Dr. Bloom, a nerdy scientist who, after his girlfriend is killed in a lunar shuttle explosion, creates a belt that allows the wearer to travel through time. With intentionally poor production values, the series served as one of Channel 101's many homages to low-budget science fiction films.

A guy in an orange wig and a green jumpsuit kicks people in the nuts.

Casey Thard pretends to be a student in order to win the heart of the pedophile, Miss Dawson.

Dave Hartman's second Prime Time show's unspoken premise was simple: Vote for me, and every month, I will bust my ass on mind-blowing visuals, channeling the resultant sleep-deprived schizophrenic breakdown into the story and characters. The result was a truly magickal blend of refined technical expertise and stream of conscious mythology. As with all of Hartman's stuff, Magick Haus was a particular favorite among internet viewers, but the live audience foreclosed on the property in February of 2005, perhaps feeling free to do so because of their knowledge that the creatively addicted Dave Hartman will always be back for more abuse.

Three best friends, Peter, Rodney, and Alice, only have six months to live.

Bruce lives with The Wastelander in a strictly kill-or-be-killed environment.

Citizens and cops follow the path of their leader, Gary.

In Raptor, Tony Janning, Rich Kuras, and Sandeep Parikh remind us of something we may have forgotten: Dinosaurs are scary. Dead scary. They also teach us something new about their abilities as storytellers, creating an exciting show about cut-throat inter-office politics.

Ryan Nagata, while overcome with separation anxiety for the elegant magician Shuzuki Thornburg (Your Magic Touched Me), wowed August 2006 audiences with an energetic and crisp spin-off focusing on Sex Crime Investigation. Gaining momentum in 2007, the spin-off eclipsed the original and began to reinvent itself with every episode. From the Japanese Mafia, to ghosts, to clones, to outer space, Your Magic Touched Me: Nights kept the energy fresh and exciting enough to last nine months of competitive screenings.

Over the years, Channel 101 has grown into an elaborate community of talented people who work together on pilots, developing fruitful and interesting collaborations. To contrast, Mike McCafferty has thrown all notions of camaraderie and teamwork out the window for the one-man-band production, Quest. On the surface, the show is a journey for raisins, but at it's core it is an experiment in form: demonstrating that you don't need an ensemble of actors and elaborate locations to tell a good story. You don't even need a crew. You just need a McCafferty and a Camcorder.

The existence of Channel 101 led to a show on VH-1 called Acceptable.TV. Director/Actor Drew Hancock wrote a mini-show for Acceptable.TV about the dangers of swords, but VH-1 hated it so it was never produced. Now, in the post-ATV era, Hancock has brought the show to the Channel 101 audience to great success. Sit back and enjoy as Trip Fisk warns you of the dangers of owning swords, and always remember: Don't Fucking Touch Swords.

Creators Dan Harmon and JD Ryznar, first in line to parody themselves, brought the power to the people with this exciting anthology show that overflowed with energy and interactivity.

Taz and Eugene are in the planning business, helping make plans. Things get shaky when Eugene doubts Taz's commitment to the process.

Rob Schrab returns to Prime Time (teamed with MC Griffin) with the non-stop action/adventure show, Suits

When you're a professor with tenure, they can't fire you. Even if you get hit in the head with a toaster and become really really dumb.

Four short sketches featuring donuts, aggressive dads, ice cream, and more!

"Fishbowls" creators Alex Kavutskiy and Ariel Gardner returned to primetime in a first-place debut with "Kill the Baby," a darkly comic tale about a dude who wanted to, well, kill his baby.