The Best TV Shows on DFF 1

Das Spielhaus was a popular puppet theatre television series that played on the second channel of Deutscher Fernsehfunk in the former East Germany. The eight residents of a 'mobile' house with ten wheels experienced fantastic adventures together. The character Knollo often created inventions that ended in explosions, while Schlapper was more sceptical and timid. Together with the vain Defifé and the brilliant Masine, the series featured other colourful characters.

This series is about the "adventures" and problems of the crew of the East German cargo ship "MS-Fichte" at sea. In the first part, the main engine had a piston jam during a storm at sea, so that the piston had to be removed. Mutual recriminations ensue between the captain, who ordered a higher speed, and the chief, who is against it out of concern for the high fuel consumption and is also said not to have bothered to maintain the engine...

Das große Abenteuer des Kaspar Schmeck is a German television series.

Episodes from the life of the great musician, whose 300th birthday is being celebrated worldwide this year. The series begins with a story from 1717, which has been passed down in quite varied versions. At the court of Augustus the Strong in Dresden, the French organ virtuoso Louis Marchand was said to have passed away. Convinced of his “unique” abilities, he—according to the film—announced a music competition. Bach was the only competitor to enter.

Archiv des Todes is a 1980 13-part television series German war television film series set during World War II.

The Sandman's everyday life, travels and fantastic adventures. The character often showcased socialist technological achievements, such as the use of awe-inspiring vehicles like futuristic cars and flying devices. Together with his friends, Pittiplatsch, Schnatterinchen, the dog Moppi, Herr Fuchs and Frau Elster. Premiered in DFF on November 22, 1959.

The film concentrates on the last days of the German navy during World War II.

200 years ago, innkeepers Jette and August Deibelschmidt led a rapacious life. Out of greed, they repeatedly got their guests drunk in order to steal from them. When police commissioner Friedrich Wilhelm Licht tried to put them out of action, the house caught fire and all three died. In his last words, he curses the pair of thieves, saying that they will not find peace until they have done seven good deeds after 200 years.

An adventures of a Berlin family spending summer in haunted house.

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

Der Staatsanwalt hat das Wort was an East German television series.

The show was meant to compete with those on West German television. To this end it was fairly successful even attracting a following in parts of West Germany which could receive Eastern TV. Its production values were high. Apart from song and dance numbers and appearances from East German celebrities, almost every broadcast featured well-known stars from the west, often after their popularity had peaked in their home countries.

Blaulicht is a German crime television drama series, whose 29 episodes were based on crime case files.

Der schwarze Kanal was a series of political propaganda programmes broadcast weekly between 1960 and 1989 by East German television. Each edition was made up of recorded extracts from recent West German television programmes re-edited to include a Communist commentary.

On the run from police in America, Antonio Morena, a former World War II aviator and black-marketeer, finds himself in South America working for the all-powerful United Fruit Company, known to the natives as "the Green Monster".

The film is set in the 1930s in Germany. Maria Rheine and Mark Löwenthal, two young actors working in a small theater, are in love with each other. Their love affair is interrupted by Nazi racial policies; Mark is no longer allowed to perform in German theaters because he is a Jew. In order to continue acting, he joins the newly formed Jewish Theater in Berlin. Maria, who is not Jewish, faces no restrictions on her career, and she becomes a successful actress at a big theater in Munich. But her love for Mark eventually leads her to decide to sacrifice both career and security to remain close to him. She fakes a suicide, assumes a Jewish identity and, as Manja Löwenthal, joins the Jewish Theater.

A man who has just become unemployed kills his closest relatives before he judges himself. Commissioner Schimanski determined.