The best episode directed by Sarah-Violet Bliss is "The House of Uncanny Truths", rated 9/10 from 1 user votes. It was "written by Charles Rogers". "The House of Uncanny Truths" aired on 11/25/2016 and is rated 0.0 point(s) higher than their second highest rated, "Hysteria".
The crew heads to where they suspect Chantal is hiding, but when Dory is floored by a terrifying connection, things take a disastrous turn.
Director: Sarah-Violet Bliss
Writer: Charles Rogers
Dory and Drew receive a visit from Officer Joy Hartman, make a shocking discovery, meet up with Elliott, and make it to Portia's play on time.
Director: Sarah-Violet Bliss
Writer: Charles Rogers
The gang ties up loose ends before facing the reality that they might go to jail by midnight, leaving it up to Dory to figure something out.
Director: Sarah-Violet Bliss
Writer: Sarah-Violet Bliss
The world discovers that Elliott is a liar, so he enlists Drew to help save face; Portia is given the opportunity to dazzle the set; Dory and her boss go undercover.
Director: Sarah-Violet Bliss
Writer: Anthony King
The crew wreaks havoc on Chantal's sister's rehearsal dinner and have no choice but to pay off an unlikely source for Chantal's possible whereabouts.
Director: Sarah-Violet Bliss
Writer: Sarah-Violet Bliss
After finding the not-so-missing Chantal and killing the not-so-villainous Keith, the gang is faced with the horrifying task of trying to bury a body before the sun comes up.
Director: Sarah-Violet Bliss
Writer: Sarah-Violet Bliss
The gang goes on a mission to cover up Keith's semi-accidental murder and return Chantal to her family, with just a few major roadblocks along the way.
Director: Sarah-Violet Bliss
Writer: Sarah-Violet Bliss
Life after murder proves to be harder than expected as the friends readjust to their superficial Brooklyn lives.
Director: Sarah-Violet Bliss
Writer: Jordan Firstman
The gang must get $60,000 to their blackmailer; Joy follows Fat Franky around town, which doesn't end as suspected.
Director: Sarah-Violet Bliss
Writer: Sarah-Violet Bliss
Dory's arrested and the friends are spiraling. What do they do now? Are the cops coming for them next? And more importantly, which one of them told the authorities?
Director: Sarah-Violet Bliss
Writer: Sarah-Violet Bliss
Pandemonium breaks loose when an anonymous tip is leaked to the press. Dory and Drew lawyer up, while Elliott and Portia head for the hills. Or, rather, the sand dunes of East Hampton.
Director: Sarah-Violet Bliss
Writer: Craig Rowin
Dory enlists her family to join her for a melodramatic TV interview, where they give the performance of a lifetime. Portia bonds with her new Christian friends, while Elliott and Marc's wedding plans become more and more extravagant.
Director: Sarah-Violet Bliss
Writer: Sarah-Violet Bliss
While Dory and Drew face their grueling first day in court, which begins with damning testimony from Portia, Elliott plays with fire by appearing on a conservative talk show.
Director: Sarah-Violet Bliss
Writer: Jordan Firstman
Elliott takes the stand to testify for the defense. Portia's faith deepens, as does her bond with her new Christian friends. Drew makes a dangerously self-sabotaging choice, and Dory receives a terrifying message.
Director: Sarah-Violet Bliss
Writer: Craig Rowin
Alarming evidence surfaces that potentially obliterates Dory and Drew's chances of being acquitted. Elliott confronts his roots, and Portia attempts to make amends for testifying against her friends.
Director: Sarah-Violet Bliss
Writer: Sarah-Violet Bliss
It's the tensest day of the gang's lives as the jury deliberates over Dory and Drew's fate.
Director: Sarah-Violet Bliss
Writer: Sarah-Violet Bliss
Dory wakes up to a terrifying new reality, while Portia, Elliott, and Drew grow impatient with their seemingly AWOL “friend.”
Director: Sarah-Violet Bliss
Writer: Sarah-Violet Bliss
Dory tries to break out of her felt prison, Drew starts a new life at a theme park, Portia auditions for the film adaption of the trial, and Elliott reconsiders his political beliefs for a chance to host his own talk show.
Director: Sarah-Violet Bliss
Writer: Christina Lee
Dory escapes, Drew’s past resurfaces, Portia meets her movie’s director, and Elliott embraces his new role at the network.
Director: Sarah-Violet Bliss
Writer: Emily Heller
After rescuing Dory, the gang’s left wondering if it was all worth it. Drew gets a huge surprise, and Chip finds the answers he's been searching for.
Director: Sarah-Violet Bliss
Writer: Sarah-Violet Bliss
It's the dinner party from Hell when Dory and Drew invite Portia and Chantal's intense ex-boyfriend over in an effort to get some answers out of him.
Director: Sarah-Violet Bliss
Writer: Michael Showalter
The real Lylah appears, and the gang finally gets a solid lead on Dory’s whereabouts.
Director: Sarah-Violet Bliss
Writer: Andrew Pierce Fleming
The crew makes waves at Chantal's vigil, and Dory is intent on telling the parents that she saw their daughter.
Director: Sarah-Violet Bliss
Writer: Christina Lee
Chip drags Dory back to the house, where a nosy Paula Jo awaits. Drew rushes back to New York after seeing something strange on social, Portia has a bleak first day on set, and Elliott gains even more notoriety.
Director: Sarah-Violet Bliss
Writer: Jordan Firstman
The gang gets some much-needed closure.
Director: Sarah-Violet Bliss
Writer: Sarah-Violet Bliss