During his time spent in Southern California in the late 1910s and early 1920s, Frank Lloyd Wright accelerated the search for L.A.'s authentic architecture that was suitable to the city's culture and landscape. Writer/Director Chris Hawthorne, architecture critic for the Los Angeles Times, explores the houses the legendary architect built in Los Angeles.

The vast, strange, sometimes contradictory world of the urban desert and its people are explored in 11 public art exhibits and their respective locations. Desert X is a site-specific biennial exhibition that first took place in the spring of 2017 where artists from different parts of the world were invited to create work in response to the unique conditions of the Coachella Valley.

This episode profiles prominent artist Doug Aitken who for more than 20 years has shifted the perception and location of images and narratives. His multichannel video installations, sculptures, photographs, publications, happenings and architectural works demonstrate the nature and structure of our ever-mobile, ever-changing, image-based contemporary condition.

This look at Los Angeles’ Olvera Street is part-history lesson and part-immersion in stereotype of the birthplace of Los Angeles. Emmy® award-winning journalist, author and musician Rubén Martínez, explores the sometimes-violent, 200-year struggle for the political and symbolic control of the city as told in “Variedades” – an interdisciplinary performance series.

In East Los Angeles during the late 1960s and 1970s, a group of young activists used creative tools like writing and photography as a means for community organizing, providing a platform for the Chicano Movement in the form of the bilingual newspaper/magazine La Raza.

The natural beauty of California has inspired artists from around the world. Today, as artists continue to engage with California’s environment, they echo and critique earlier art practices that represent nature in “The Golden State” in a particular way. Featuring artists Richard Misrach and Hillary Mushkin.

While matriarchs may hold enormous symbolism in art history, women taking on motherhood may be the last taboo in contemporary art. Mother artists Kenyatta A.C. Hinkle, Tanya Aguñiga, Rebecca Campbell and Andrea Chung confront the stakes while exploring the realities of art and motherhood.

Native American basketry has long been viewed as a community craft, yet the artistic quality and value of these baskets are on par with other fine art. Now Native peoples across the country are revitalizing basketry traditions and the country looks to California as a leader in basket weaving revitalization.