The Worst Episodes of Every Frame a Painting

#1 Worst Episode
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6.8/10(27 votes)
#1 - Drive (2011) - The Quadrant System
S2:E21/30/2015
One of the many pleasures of Nicolas Winding Refn’s “Drive” (2011) is that the shots feel both tightly composed and weirdly unpredictable. Even though most of the images follow a simple quadrant system, Refn puts plenty of subtle touches within the frame.
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6.8/10(19 votes)
#2 - In Praise of Chairs
S2:E65/29/2015
One of the great things about detailed production design is that it pays off in unexpected ways. So today I explore the weird possibilities of that most common of objects: the chair.
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7.0/10(21 votes)
#3 - Mother (2009) - Telephoto Profile Shots
S1:E14/16/2014
A brief analysis of one aspect of Bong Joon-ho's great film Mother (2009). WARNING: MAJOR SPOILERS. For educational purposes only.
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7.1/10(24 votes)
#4 - Joel & Ethan Coen - Shot | Reverse Shot
S3:E12/25/2016
How do you film a conversation? Most likely, you’re going to block the actors, set up the camera, and do shot/reverse shot. But where do you put the camera? What lens do you use? And how do you cut back and forth? Today, I consider the Coen brothers — Joel & Ethan — and see how these choices lend a particular feel to their version of shot/reverse shot.
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7.1/10(26 votes)
#5 - The Marvel Symphonic Universe
S3:E39/12/2016
Off the top of your head, could you sing the theme from Star Wars? How about James Bond? Or Harry Potter? But here’s the kicker: can you sing any theme from a Marvel film? Despite 13 films and 10 billion dollars at the box office, the Marvel Cinematic Universe lacks a distinctive musical identity or approach. So let’s try to answer the question: what is missing from Marvel music?
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7.2/10(13 votes)
#6 - The Imposter (2012) - Looking into the Lens
S1:E24/25/2014
A brief analysis of Bart Layton's The Imposter (2012). WARNING: SPOILS EVERY GODDAMN THING.
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The 20 BEST Episodes of Every Frame a Painting

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7.2/10(19 votes)
#7 - Lynne Ramsay - The Poetry of Details
S2:E55/7/2015
What can one detail tell us about a scene? If you’re Lynne Ramsay: absolutely everything. Today I consider the poetic possibilities of cinema and one of our finest contemporary filmmakers.
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7.3/10(21 votes)
#8 - The Bad Sleep Well (1960) - The Geometry of a Scene
S2:E11/28/2015
One of Akira Kurosawa’s many gifts was staging scenes in ways that were bold, simple and visual. I’m working on a longer essay about him and this piece didn’t make the cut, so I’m releasing it as a short standalone video.
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7.4/10(25 votes)
#9 - Akira Kurosawa - Composing Movement
S2:E33/19/2015
Can movement tell a story? Sure, if you’re as gifted as Akira Kurosawa. More than any other filmmaker, he had an innate understanding of movement and how to capture it onscreen. Join me today in studying the master, possibly the greatest composer of motion in film history.
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7.5/10(27 votes)
#10 - Michael Bay - What is Bayhem?
S1:E77/3/2014
There are filmmakers we love and then there's Michael Bay. Even if you dislike him (as I do), Bay has something valuable to teach us about visual perception. This is an exploration of "Bayhem" — his style of camera movement, composition and editing that creates something overblown, dynamic and distinct.
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7.7/10(27 votes)
#11 - The Spielberg Oner - One Scene, One Shot
S1:E35/6/2014
One overlooked aspect of Spielberg is that he's actually a stealth master of the long take. From Duel to Tintin, for forty years, he has sneakily filmed many scenes in a single continuous shot.
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7.7/10(22 votes)
#12 - Memories of Murder (2003) - Ensemble Staging
S2:E1012/30/2015
How do you emphasize to the audience that something is important? Well, you could always cut to a close-up, but how about something subtler? Today I consider ensemble staging — a style of filmmaking that directs the audience exactly where to look, without ever seeming to do so at all. NO SPOILERS. Eight Ways to Get the Audience to Look at a Character: 1) Let Them Speak 2) Make Them Brighter or Bring Them Closer 3) Let Them Move (Especially Hands or Eyes) 4) Put Them in the Center of Frame 5) Turn Them Towards the Lens 6) Separate Them from the Group 7) Isolate Them by Moving the Camera 8) Have Other People Look at Them
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7.8/10(25 votes)
#13 - Martin Scorsese - The Art of Silence
S1:E66/14/2014
Even though Martin Scorsese is famous for his use of music, one of his best traits is his deliberate and powerful use of silence. Take a glimpse at fifty years of this simple technique from one of cinema's masters. SPOILERS for Shutter Island (2010), Superman (1978) and Man of Steel (2013)
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7.8/10(18 votes)
#14 - Robin Williams - In Motion
S1:E109/9/2014
Robin Williams was a genius, but he was also a dedicated craftsman who explored how an actor could express character through movement. Join me in honoring this tiny facet of his work.
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7.8/10(22 votes)
#15 - Snowpiercer - Left or Right
S1:E1310/28/2014
Characters make choices which they cannot take back. The question is: how do you show it visually? Here’s one solution from Snowpiercer. Warning: SPOILS ENTIRE FILM.
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7.8/10(24 votes)
#16 - F For Fake (1973) - How to Structure a Video Essay
S2:E43/31/2015
If you want to make video essays, there’s no better film to study than Orson Welles’ 1973 masterpiece, F for Fake. There are a million lessons to take away from it, but today, let’s see what it has to teach us about structure. NO SPOILERS.
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7.8/10(20 votes)
#17 - Vancouver Never Plays Itself
S2:E89/9/2015
Perhaps no other city has been as thoroughly hidden from modern filmmaking as Vancouver, my hometown. Today, it’s the third biggest film production city in North America, behind Los Angeles and New York. And yet for all the movies and TV shows that are shot there, we hardly ever see the city itself. So today, let’s focus less on the movies and more on the city in the background.
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7.8/10(24 votes)
#18 - How Does an Editor Think and Feel?
S3:E25/12/2016
For the past ten years, I’ve been editing professionally. Yet one question always stumps me: “How do you know when to cut?” And I can only answer that it’s very instinctual. On some level, I’m just thinking and feeling my way through the edit. So today, I’d like to describe that process: how does an editor think and feel?
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7.9/10(15 votes)
#19 - Wolf Children (2012) - The Lateral Tracking Shot
S1:E45/16/2014
Looking for a unique lateral tracking shot? Consider this example from Mamoru Hosoda's excellent film Wolf Children (2012). NO SPOILERS.
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8.2/10(31 votes)
#20 - David Fincher - And the Other Way is Wrong
S1:E1110/1/2014
For sheer directorial craft, there are few people working today who can match David Fincher. And yet he describes his own process as “not what I do, but what I don’t do.” Join me today in answering the question: What does David Fincher not do?
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8.4/10(19 votes)
#21 - A Brief Look at Texting and the Internet in Film
S1:E98/15/2014
Is there a better way of showing a text message in a film? How about the internet? Even though we’re well into the digital age, film is still ineffective at depicting the world we live in. Maybe the solution lies not in content, but in form.
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8.5/10(35 votes)
#22 - Edgar Wright - How to Do Visual Comedy
S1:E55/26/2014
If you love visual comedy, you gotta love Edgar Wright, one of the few filmmakers who is consistently finding humor through framing, camera movement, editing, goofy sound effects and music. This is an analysis and appreciation of one of our finest comedic voices.
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8.5/10(25 votes)
#23 - Chuck Jones - The Evolution of an Artist
S2:E77/16/2015
If you grew up watching Looney Tunes, then you know Chuck Jones, one of all-time masters of visual comedy. Normally I would talk about his ingenious framing and timing, but not today. Instead, I’d like to explore the evolution of his sensibilities as an artist.
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8.7/10(16 votes)
#24 - Satoshi Kon - Editing Space & Time
S1:E87/24/2014
Four years after his passing, we still haven't quite caught up to Satoshi Kon, one of the great visionaries of modern film. In just four features and one TV series, he developed a unique style of editing that distorted and warped space and time. Join me in honoring the greatest Japanese animator not named Miyazaki.
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8.7/10(28 votes)
#25 - Jackie Chan - How to Do Action Comedy
S1:E1412/2/2014
Some filmmakers can do action. Others can do comedy. But for 40 years, the master of combining them has been Jackie Chan. Let’s see how he does it. The 9 Principles of Action Comedy 1. Start with a DISADVANTAGE 2. Use the ENVIRONMENT 3. Be CLEAR in your shots 4. Action & Reaction in the SAME frame 5. Do as many TAKES as necessary 6. Let the audience feel the RHYTHM 7. In editing, TWO good hits = ONE great hit 8. PAIN is humanizing 9. Earn your FINISH
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