The Best Episodes of Play for Today Season 12

The story of the disintegration of an aristocratic country estate after World War II

Director: N/A

Writer: N/A

A docudrama about what would happen if London was hit by severe flooding

Director: N/A

Writer: N/A

James, an expatriate South African anti-apartheid fighter, deals with his nightmares and his complaining landlady in a run-down area of London, while dreaming of his lover Stephen, left behind.

Director: N/A

Writer: N/A

A nurse is subjected to an interrogation after giving medical treatment to a terrorist leader.

Director: N/A

Writer: N/A

In Belfast, Ruby has a cold and is caught in the rain while Iris is looking for work and gets caught in traffic

Director: N/A

Writer: N/A

In an adaptation of Václav Havel's play, a dissident, newly released from prison for political reasons, attempts to get his well-connected friend to sign a protest. In this one man play, both the roles are played by Nigel Hawthorne.

Director: N/A

Writer: N/A

Two men on a local council fight the system when forced with massive spending cuts.

Director: N/A

Writer: N/A

During World War II, a British officer is ordered to abandon a Russian convoy.

Director: Frank Cox

Writer: N/A

A manager, a foreman, and two workers are all that remains of a factory yet labor relations stay the same

Director: Gerald Blake

Writer: N/A

A planning decision must be made, and the motorway extension must go through on either the Golf Course or the Allotments - will the greens survive or the peasant lands?

Director: N/A

Writer: N/A

A police inspector investigates the murder of an Arab sheik who had become a village's Lord of the Manor.

Director: N/A

Writer: N/A

Three women involved in different ways in the women's movement.

Director: N/A

Writer: N/A

Politics and relationships during the last years of the Heath government

Director: N/A

Writer: N/A

Meg: We were so close, we loved each other, we made a whole together. I feel cut in half.

Director: N/A

Writer: N/A

Malcolm goes through life hating the mundanity of his existence as a factory worker and an unloved husband. But when students take up summer jobs at the factory, it reawakens both his passion for political feeling and romantic urges.

Director: N/A

Writer: N/A

A family in Belfast deals with life after the death of the mother from cancer

Director: Paul Seed

Writer: N/A

Willie and his friends notice the passage of time around them, and how society is changing as their marriages stagnate. Can Willie prove to himself that he still has it, by being able to cheat on his wife just once?

Director: N/A

Writer: N/A

Frank has dedicated 19 years to researching a cure for the common cold, and is almost ready to publish a paper. Yet budget cuts and his own inability to form real relationships with those around him threaten to derail the project.

Director: Gerald Blake

Writer: N/A

Home Sweet Home is a 1982 television film devised and directed by Mike Leigh, for BBC TV, 'about postmen, parenthood, social workers and sex.' It was Leigh's second collaboration with Play for Today producer Louis Marks, and cinematographer Remi Adefarasin, and with composer Carl Davis - the music score featured a quartet of basses -. It stars Timothy Spall, here working with Leigh for the first time, Eric Richard, Tim Barker, Kay Stonham, Su Elliot, Frances Barber, Sheila Kelley, and Lorraine Brunning. It was first broadcast on 16 March 1982. The film was shot on location in Hitchin, Hertfordshire. 90 minutes.

Director: Mike Leigh

Writer: Mike Leigh

"My life is over - and I just didn't notice it passing." A call to a radio helpline leads to depressed housewife Christine finding a new direction in life.

Director: N/A

Writer: N/A

Adolescents will always be obsessed by the same old subject, even when they are educated by nuns. Six ex-Classmates meet for the first time in 12 years and hilarious memories change into highly emotional situations.

Director: David Maloney

Writer: N/A

While Wally was happy there wasn't much wrong with the world, and pints seemed a small price to pay for what he gave us. But don't forget what we gave him. We gave him the knowledge he was important, at least to us.

Director: Gerald Blake

Writer: N/A