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The Worst Episodes of The House of Eliott

Every episode of The House of Eliott ranked from worst to best. Explore the Worst Episodes of The House of Eliott!

Two sisters who set up a London fashion house for society of the early 1920s.
Genre:Drama
Network:BBC One

Worst Episodes Summary

"Episode Fourteen" is the worst rated episode of "The House of Eliott". It scored 7.2/10 based on 31 votes. Directed by Graeme Harper and written by Deborah Cook, it aired on 9/13/1992. This episode scored 0.0 points lower than the second lowest rated, "Episode Sixteen".

  • Episode Fourteen
    7.2/1031 votes
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    #1 - Episode Fourteen

    Season 2 Episode 2 - Aired 9/13/1992

    Newly weds Jack and Bea find their marital bliss is disturbed by the arrival of Jack's old girlfriend Clara Rhoades. Things are made worse by Clara's interference in the running of the House of Eliott when she manages to persuade Bea to employ Alice Bourgoyne, an ineffectual vendeuse. Evie arrives from Paris and is committed to making the House of Eliott as successful as Maison Gille. Sir Desmond suddenly dies. Tilly continues to experience difficulty working with Florence but when she meets Norman Foss things don't seem quite as bad.

    Director: Graeme Harper

    Writer: Deborah Cook

  • Episode Sixteen
    7.2/1030 votes
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    #2 - Episode Sixteen

    Season 2 Episode 4 - Aired 9/27/1992

    Following a head on collision with a herd of cows, James and Evie become close. However, his obsession with racing proves too much for her so soon after Sebastian's plane crash. Bea meets Jack's parents for the first time when they spend Christmas together. His mother, an artist, proves to be a design inspiration and Bea resolves to alter the artistic direction of the latest House of Eliott collection. Alice's husband dies and the sisters realize why she has been so inefficient. Tilly and Norman decide to get married.

    Director: Alister Hallum

    Writer: Chris Curry

  • Episode Seventeen
    7.2/1029 votes
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    #3 - Episode Seventeen

    Season 2 Episode 5 - Aired 10/4/1992

    When The House of Eliott agrees to design the costumes for a ballet, Jack becomes jealous of the amount of time Bea spends with David, the choreographer. Their already troubled marriage suffers another set back when they go to the cottage to spend their wedding anniversary and the conversation turns to having children. Joseph expresses concerns about The House of Eliott finances and Ralph Saroyan suggests that Joseph may not be as honest as he appears. Tilly and Norman get married in style.

    Director: June Howson

    Writer: Deborah Cook

  • Episode Twenty-One
    7.2/1030 votes
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    #4 - Episode Twenty-One

    Season 2 Episode 9 - Aired 11/1/1992

    Following Ralph's disappearance to Germany, the House of Eliott's finances are in dire straights. Bea moves back in with Evie following her separation from Jack but has difficulty focusing on work. Meanwhile, Jack throws himself into film making as a way to forget his troubles. When the General Strike takes place it proves to be a superb subject for a documentary, especially when there is such an attractive leading lady. Elizabeth Montford will not give up her husband without a fight.

    Director: Ken Hannam

    Writer: Deborah Cook

  • Episode Twenty-Six
    7.2/1029 votes
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    #5 - Episode Twenty-Six

    Season 3 Episode 2 - Aired 1/9/1993

    Bea is shocked by Jack's sudden reappearance and her confusion is compounded when Donald arrives. The House of Eliott employs ambitious Grace Keeble but her designs, and her personality, are not to Evie's liking. The 'Ready to Wear' clothing venture with Larry Cotter seems to go from strength to strength. Madge and Gerry's marriage deteriorates. When Jack has difficulty getting a studio to accept his latest script, he enlists Bea's help. The arrival of two refugees effectively destroys a romantic evening for Jack and Bea.

    Director: Graeme Harper

    Writer: Deborah Cook

  • Episode Nine
    7.3/1033 votes
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    #6 - Episode Nine

    Season 1 Episode 9 - Aired 10/26/1991

    Beatrice and Evie clash over their different approaches to fashion as they consider launching their own collection, with Beatrice being more traditional and cautious, and Evie being fresh, inventive and daring. Evie is withdrawn and tearful over Sebastian's death in an air-crash and still has not forgiven Hugo for preventing her catching the same flight. Jack is worried about his sister Penelope, who has been knocked about by some of the down-and-outs she has been trying to help.

    Director: Nicholas Prosser

    Writer: Alan Seymour

  • Episode Twenty-Three
    7.3/1027 votes
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    #7 - Episode Twenty-Three

    Season 2 Episode 11 - Aired 11/15/1992

    After they decide to accept Jack's offer, the House of Eliott business begins to get back on track. Having broken off his relationship with Emma, Jack invites Bea to the premier of his documentary but will she accept his invitation? An influential Hollywood film maker makes Jack and the sisters an offer that would resolve their financial difficulties but would force them to compromise their artistic integrity. Alexander is forced to resign from his governemt position however he fails to tell Evie the real reasons behind his impending departure for Italy.

    Director: Alister Hallum

    Writer: Evgeny Gridneff

  • Episode Twenty-Five
    7.3/1029 votes
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    #8 - Episode Twenty-Five

    Season 3 Episode 1 - Aired 1/2/1993

    he House of Eliott designs prove to be a great success in the USA and Bea finds that she has a new admirer, Donald, a successful businessman. When they return to London they discover that Alice has left for Maison Gille and Madge finds communication with her husband Gerry difficult. A young aspiring designer, Grace Keeble, infuriates the sisters when she double crosses them and Evie is not persuaded by business entrepreneur Larry Cotter to invest in a joint venture. Bea is distracted when it emerges no one has heard from Jack in some time.

    Director: Graeme Harper

    Writer: Deborah Cook

  • Episode Thirty
    7.3/1028 votes
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    #9 - Episode Thirty

    Season 3 Episode 6 - Aired 2/6/1993

    When Daniel agrees to paint a portrait of Celia Romford to appease Bea, it creates conflict between him and Evie. Tilly becomes increasingly withdrawn and Norman enlists the help of her colleagues and finds in order to alleviate her suffering. Katya discovers that the 'Ready To Wear' collection at the Bayswater workshop is not quite to the House of Eliott specifications. Jack's political ambitions are realized when his policies on implementing a minimum wage are accepted by the Labour Party.

    Director: Gwennan Sage

    Writer: Stephen Wyatt

  • Episode Six
    7.4/1037 votes
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    #10 - Episode Six

    Season 1 Episode 6 - Aired 10/5/1991

    In her continuing effort to find money for their new venture, Bea visits Sir Desmond Gillespie, Evie's godfather. A merchant banker, Gillespie agrees to put the Eliott sisters proposal before his Board, but only if Arthur Eliott agrees to act as their guarantor. Arthur isn't predisposed to helping them nor is he prepared to help Sebastian Pearce, who has now admitted that the late Dr. Eliott was not his father. Sebastian gets his revenge however by informing the police of the goings on at Arthur's nightclub.

    Director: Richard Standeven

    Writer: Michael Robson

  • Episode Seven
    7.4/1034 votes
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    #11 - Episode Seven

    Season 1 Episode 7 - Aired 10/12/1991

    The new "House of Eliott" is officially opened, and the sisters' fashion creations are unveiled, although they now have the uphill task of building up their clientele and competing with other fashion houses.

    Director: Alex Kirby

    Writer: Peter Buckman

  • Episode Ten
    7.4/1035 votes
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    #12 - Episode Ten

    Season 1 Episode 10 - Aired 11/2/1991

    Evie and Beatrice have a serious argument in which their relationship is threatened when they are unable to agree on designs for their proposed collection. Their differences reach such a stage that Evie moves out, and Jack's relationship with Beatrice poses a dilemma for him when he has to act as arbiter between the two sisters.

    Director: Nicholas Prosser

    Writer: Peter Buckman

  • Episode Eighteen
    7.4/1028 votes
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    #13 - Episode Eighteen

    Season 2 Episode 6 - Aired 10/11/1992

    Evie finds herself attracted to government treasury minister Sir Alexander Montford. Bea and Evie hope that Lady Elizabeth Montford, in her role as trend-setter, will give her custom to their fashion house. Saroyan is determined to remove Joseph from the House of Eliott, but Joseph is equally determined to clear his name.

    Director: June Howson

    Writer: Evgeny Gridneff

  • Episode Three
    7.5/1040 votes
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    #14 - Episode Three

    Season 1 Episode 3 - Aired 9/14/1991

    Evie takes a job at Partini's dressmakers. Bea meets Mrs Pearce when she comes to the house looking for Evie. When Mrs Pearce finds out she was left out the will she demands money for Henry's son, Sebastian. In order to pay of the last of the debts Evie and Bea decide to sell the house and move in to a flat above Jack's studio. Bea also takes a job at Mrs Partini's.

    Director: Jeremy Silberston

    Writer: Peter Buckman

  • Episode Five
    7.5/1038 votes
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    #15 - Episode Five

    Season 1 Episode 5 - Aired 9/28/1991

    Evie learns some shocking news from Sebastian. Jack persuades Bea to take a chance with the Eliott establishment. Evie receives an unexpected and unwanted gift from Arthur. The sisters decide to open 'The House Of Eliott' but it turns out to be harder than they first thought. Arthur gets in deeper with the 25 Club. Both Eliott sisters receive unwanted proposal's from men in their lives.

    Director: Richard Standeven

    Writer: Alan Seymour

  • Episode Fifteen
    7.5/1031 votes
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    #16 - Episode Fifteen

    Season 2 Episode 3 - Aired 9/20/1992

    When Evie is invited to spend the weekend at the Douglass family home, she becomes embroiled on their family conflicts. When she encourages Frances to go to art college, she succeeds in alienating nearly all the Douglass family. However, speed racing enthusiast James Douglass strikes up a friendship with her and is determined they be more than just friends. Jack's work commitments keep him away from Bea while she is concerned about the finances of the House of Eliott. Could Sir Desmond have been involved in fraud? In the workroom, Florence is perturbed when Tilly's old ali resumes her old post.

    Director: Alister Hallum

    Writer: Helen Slavin

  • Episode Twenty-Seven
    7.5/1026 votes
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    #17 - Episode Twenty-Seven

    Season 3 Episode 3 - Aired 1/16/1993

    Tilly works hard helping to put the latest House of Eliott 'Ready To Wear' collection together but her health begins to suffer as a consequence. Jack arranges for Katya to be employed by the House of Eliott but Madge is definitely not happy. When Tilly's purse goes missing, all eyes look towards Katya, however Agnes' latest beau knows more than he lets on. Donald proposes to Bea but her feelings for Jack have not been resolved. When he pressurizes her into making a decision it appears that fate has the upper hand. Jack is taken a back by Bea's announcement.

    Director: Ken Hannam

    Writer: Stephen Wyatt

  • Episode Twenty-Nine
    7.5/1028 votes
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    #18 - Episode Twenty-Nine

    Season 3 Episode 5 - Aired 1/30/1993

    Bea has a difficult pregnancy and is plagued by doubts about her ability to be a good mother. Evie has trouble tracking down Daniel. Tilly has difficulty coming to terms with the loss of her son William and her relationship with Norman suffers as a consequence. Meanwhile, Madge seeks solace in Charles. Jack is employed by the Communist Party to write a newspaper article on the living and working conditions of Glasgow laborers. Will he make it back in time for the birth of his baby?

    Director: Gwennan Sage

    Writer: Julia Stoneham

  • Episode Thirty-Two
    7.5/1024 votes
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    #19 - Episode Thirty-Two

    Season 3 Episode 8 - Aired 2/20/1993

    The extent of Larry and Grace's corruption is exposed, much to the relief of the Eliott sisters and Jack. Norman has one final attempt at saving his marriage to Tilly. Will she ever be able to recover from the death of William? When Bea, Evie, Jack and Daniel go away to a House Of Eliott client's for the weekend, Daniel has trouble adjusting to mingling with the upper classes. Despite their social differences, Evie and Daniel decide to marry and Jack discusses the possibility of running for Parliament with Bea.

    Director: June Howson

    Writer: Lynda Del Sasso

  • Episode Four
    7.6/1041 votes
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    #20 - Episode Four

    Season 1 Episode 4 - Aired 9/21/1991

    Evie is shocked to discover that she has a 24-year old half-brother Sebastian, whose mother, Mrs Pearce, Mr Eliott's former mistress, turns up on the sisters' doorstep demanding a share of the will for her son. However, they are still struggling to make ends meet and have to put the house up for sale.

    Director: Jeremy Silberston

    Writer: Deborah Cook

  • Episode Eleven
    7.6/1033 votes
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    #21 - Episode Eleven

    Season 1 Episode 11 - Aired 11/9/1991

    Evie and Beatrice resolve their creative differences and work together to create their first fashion collection. They plan a collection of stunning evening wear in blue. A charity ball for Penelope's Mission gives Evie and Bea the chance to be introduced to top fashion writer, Victor Stride, who is encouraging. However, his editorial is a travesty of truth and threatens to ruin their reputation. Jack and Bea's relationship deepens, but she does not want to make any commitments until the pressures of the show and business have decreased.

    Director: Jeremy Silberston

    Writer: Alan Seymour

  • Episode Thirteen
    7.6/1032 votes
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    #22 - Episode Thirteen

    Season 2 Episode 1 - Aired 9/6/1992

    Bea and Evie travel to Paris and consider working for Gille Caragnac, a successful couturier. When he offers them a permanent position at his fashion house, some tough decisions have to be made. Jack arrives and proposes to Bea. Florence Ranby is appointed as head of the workroom at The House of Eliott but Tilly and Madge have difficulty adapting to her fastidious ways. Bea and Jack return to England without Evie.

    Director: Graeme Harper

    Writer: Evgeny Gridneff

  • Episode Nineteen
    7.6/1028 votes
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    #23 - Episode Nineteen

    Season 2 Episode 7 - Aired 10/18/1992

    A romance between Evie and Lord Montford risks scandal, which could ruin them both. Bea is worried by business pressures. Ralph Saroyan criticises the way the sisters run their business and demands that all cheques should be counter-signed by him.

    Director: Jeremy Silberston

    Writer: Julia Stoneham

  • Episode Twenty-Four
    7.6/1029 votes
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    #24 - Episode Twenty-Four

    Season 2 Episode 12 - Aired 12/6/1992

    As business at the House of Eliott thrives, an offer to tour with their outfits in the USA seems too hard to resist. Jack meets up with some old war time comrades but finds that making a film about his experiences is more problematic than he thought.. Alexander returns to London but Jack and Bea go on the defensive and refuse to allow him to see Evie. When Evie discovers their scurrilous behavior she is none too pleased. Jack is offered a job directing a film in Germany, could it really be over between him and Bea?

    Director: Alister Hallum

    Writer: Julia Stoneham

  • Episode One
    7.7/1054 votes
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    #25 - Episode One

    Season 1 Episode 1 - Aired 8/31/1991

    In the spring of 1920, Beatrice and Evangeline Elliott are aghast to find that their late father has left them nearly penniless. They had always assumed that their father, a successful physician, was well-off but they learn that he also had a secret life and spent most of his fortune. The immediate problem is financial as they search for work but their father had forced them to live a very sheltered life and they're really not qualified to do much of anything. Through good luck, a new friend introduces them to her brother, Jack Maddox, a well-known society photographer who is in need of a receptionist

    Director: Rodney Bennett

    Writer: Jill Hyem