Beauty for beauty's sake. That is how Gener defines this opera by Debussy, an impressionist work with a simple argument, but one capable of giving rise to intense emotions in whoever succumbs to its magic. To talk about love, impressionism and Debussy himself, Gener visits two pivotal French cities: Rouen and Paris.

Rome, the eternal city, is the setting for this episode. It's also the city where the action in "Tosca" unfolds, a thriller with all the elements of a genre film. To unveil what these elements are, Gener seeks out the help of students from the Rome Film School.

Gener heads to Cadaques on the Costa Brava to talk about a great love story, of a love beyond death: what Tristan and Isolde felt for one another. Again, Gener interviews anonymous people who have experienced great love stories like the protagonists of this particular opera, and who act as a counterpoint to show that love is more powerful than death.

To bring to light one of the most famous seducers in history, Gener delves into the world of the night, to get to know the techniques for hooking up used by today's Don Juans.

Rigoletto is not just the story of a curse. It's also a story of oppressors and the oppressed. Giuseppe Verdi wrote it at 40 years of age, a critical point for every human being: a time of changes, of maturity, midlife. To bring to light "Rigoletto" and its symbols, Gener travels to the island of Menorca. At 40-year-old Verdi places all his hopes, dreams and frustrations into one of the most popular and fascinating characters from the world of music.

Manon is a young Parisian woman who dreams of fame and riches. One day, Des Grieux crosses her path, an attractive gentleman, but one with a small defect- he's not rich. This is the premise behind Massenet's opera based on the novel of the same name by Abad Prévost which gives light to the inner conflict between the head and the heart.

Over 24 hours, Gener roams about the picturesque village of Aichach in the federal state of Bavaria in order to talk about one of romanticism's first operas, "The Freeshooter". Written in 1820, The action of the opera takes place in an German village similar to Aichach, an opera through which the author tried to convey his love for a country's roots, traditions, legends and culture.

"Theatre is life" is the verism motto behind this beautiful opera. Gener explores Pagliacci in which fiction and reality intermingle and where nothing is as it might appear.

Tchaikovsky and Pushkin- the greatest examples of Russian Romanticism-speak to us about impossible romances, homosexuality, dandies, love letters and duels of honor. Gener goes to the Liceu Conservatory to collaborate with some aspiring musicians.

Gener discusses Beethoven and the composer's main drives in life- love, injustice, and freedom.

In London Gener reveals how Handel managed something which nobody had ever managed before: to make England love opera. This is an episode about a very competitive man who achieved everything he aimed for and converted opera into something which could be enjoyed by everyone in London.

Così fan tutte by Wolfgang Amadeus Mozart is one of the leading examples of musical classicism, and its main topic, narrated as a comedy, is infidelity.

Based on the timeless play by Oscar Wilde, Richard Strauss wrote a troubling, uneasy score which portrays very clearly man's basic instincts. It is a story about obsession, about curiosity and about our desire for the prohibited. And the score expresses these topics perfectly: music which arouses strong emotions. Gener walks the viewer through how Salome makes one face his own fears and conscience.

Gener explains why Verdi's other operas would never have existed if Nabucco had never come to be. Gener travels to Valencia where Nabucco is being put on at the Palau de les Arts Reina Sofia. There, he speaks about one of the central themes in Verdi's career- that of parent-child relationships.

"Der Rosenkavalier" by Richard Strauss, is a wonderful comedy of errors that reflects upon the passage of time. Set in eighteenth century imperial Vienna, it tells the story of the romance between an aristocratic woman at the gates of later life and a handsome boy of seventeen. Gener interviews psychologist Patricia Ramírez Loeffler, to discuss topics about the passage of time, about how it affects us all, about our fear of aging, about couples with a significant age difference, but also, about giving up and accepting.

The Magic Flute is the ideal opera for all ages, from children to seniors. Gener goes to a Spanish school to interview 7 year olds and their parents about their reception to the opera. Later, he interviews a neuroscientist and a musicologist to understand more how Mozart's music is so captivating.

Gener explains the three reasons why opera came to Venice in the middle of the 17th century and became a true phenomenon for the masses. Then Gener heads to the wonderful Teatro Olimpico di Vicenza, the first enclosed theatre in the world, to understand what theatres were like before opera exploded on the scene as a fashionable spectacle and to see how theatres alla italiana were born and proliferated in Venice.

Lulu is an opera about our most basic instincts, starring an enigmatic, dangerous and spellbinding woman. Sex, death and psychoanalysis are the necessary ingredients for a story that will leave no one indifferent.

Written in the early 20th century by Antonin Dvorák, "Rusalka" is based on the Hans Christian Andersen story "The Little Mermaid". The heart of the story is accepting one's own identity. But it also explores one of the great mysteries of humankind: the fragility of love. Will giving up on being who we are bring us happiness or misery? Is "Rusalka" a metaphor for racism? Or is it simply an exaltation of difference?

Gener speaks about the most important operas in history and why, thanks to emotions (both positive and negative), human beings are capable of feeling.

"Parsifal" was Richard Wagner's last opera. Its story centers on the search for the Holy Grail, although it's actually a spiritual voyage into the protagonist. To learn more about the Holy Grail, Gener travels to three different locations: Montségur, Valencia, and Montserrat Monastery.

Gener heads to Bayreuth, the hometown of Richard Wagner, the composer of the most ambitious operatic saga in all of musical history, "The Ring of the Nibelung". This tetralogy is made up of four operas: The Rhine Gold, The Valkyrie, Siegfried and Twilight of the Gods. Gener touches on all of them as he visits the Autostad automotive plant, walks the stage at the Bayreuther Festspielhaus (the theatre designed by Wagner himself), and converses with one of the most renowned experts on the composer.

At the height of his career, Puccini wrote this song to life, friendship and love. To illustrate it, Gener travels to bohemian Paris and enters some of its most characteristic locales such as the century-old book shop Shakespeare & Co. and Au Lapin Agile Cabaret, along with visiting a rehearsal of La Bohème at the Paris Opera House.

Madame Butterfly teaches us about hope, longing, unconditional love and the problems when two cultures collide. Gener visits a cherry tree plantation in full bloom and will discover more about the symbolism of this tree in Japanese culture in general, and in Madame Butterfly specifically.

In the first episode, Ramón Gener talks of the cultural setting of "Carmen" by Georges Bizet-the most frequently staged and the most popular French opera of all time. In relation to the opera, filming takes place in locations such as Seville and Paris where the viewer is "transported" back to 1875 at Paris's National Theatre for Comic Opera, and the scandal it caused at the time.