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The Best Episodes of Ways of Seeing

Every episode of Ways of Seeing ranked from best to worst. Let's dive into the Best Episodes of Ways of Seeing!

John Berger's Ways of Seeing changed the way people think about painting and art criticism. This watershed work shows, through word and image, how what...
Genre:Documentary
Network:BBC Two

Best Episodes Summary

"Commercial Art" is the best rated episode of "Ways of Seeing". It scored 8.4/10 based on 29 votes. Directed by N/A and written by N/A, it aired on 1/29/1972. This episode scored 0.1 points higher than the second highest rated, "Psychological Aspects".

  • Commercial Art
    8.4/1029 votes
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    #1 - Commercial Art

    Season 1 Episode 4 - Aired 1/29/1972

    In the fourth programme, on publicity and advertising, Berger argues that colour photography has taken over the role of oil paint, though the context is reversed. An idealised potential for the viewer (via consumption) is considered a substitution for the actual reality depicted in old master portraits.

    Director: N/A

    Writer: N/A

  • Psychological Aspects
    8.3/1040 votes
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    #2 - Psychological Aspects

    Season 1 Episode 1 - Aired 1/8/1972

    The first part of the television series drew on ideas from Walter Benjamin's The Work of Art in the Age of Mechanical Reproduction arguing that through reproduction an Old Master's painting's modern context is severed from that which existed at the time of its making.

    Director: N/A

    Writer: N/A

  • Women in Art
    8.3/1036 votes
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    #3 - Women in Art

    Season 1 Episode 2 - Aired 1/15/1972

    The second film discusses the female nude. Berger asserts that only twenty or thirty nudes in the European oil painting tradition depict a woman as herself rather than as a subject of male idealisation or desire.

    Director: N/A

    Writer: N/A

  • Collectors and Collecting
    8.1/1029 votes
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    #4 - Collectors and Collecting

    Season 1 Episode 3 - Aired 1/22/1972

    The third programme is on the use of oil paint as a means of depicting or reflecting the status of the individuals who commissioned the work of art.

    Director: N/A

    Writer: N/A