- 8.0/101 votes
#1 - Marathon
Season 1 Episode 24 - Aired 5/13/1996
Just when he's at the end of his rope, Veil finds new meaning in the "Hidden Agenda" negative when he enlarges a print of it and discovers a previously obscured section. The new clues lead him to Heritage House, a research facility in Washington D.C. and its foreboding Project Marathon. There, he stumbles upon an FBI investigation and is targeted for assassination by more than one enemy. As the stakes get higher, Veil makes two new contacts including a highly placed source at the FBI. He's provided with valuable information on his enemy and the men pictured in "Hidden Agenda"—one a missing United States Senator—plus a key to a safety deposit box which contains a dossier on his case.
Director: N/A
Writer: Art Monterastelli
- 8.0/101 votes
#2 - Gemini
Season 1 Episode 25 - Aired 5/20/1996
Following up on secret information provided by the FBI, Tom finds two valuable clues: the original untouched photo of "Hidden Agenda" and a key to the safe house inhabited by the agent who gathered the data – an operative code named Gemini.
Director: N/A
Writer: Art Monterastelli
- 7.0/101 votes
#3 - Father
Season 1 Episode 10 - Aired 11/13/1995
In need of anything that connects him to his former life, Veil risks returning to the house and town he grew up in and, while savoring this small but significant part of his past, he unexpectedly meets the man who betrayed him twenty years earlier—his father.
Director: Guy Magar
Writer: Art Monterastelli
- 7.0/101 votes
#4 - Through A Lens Darkly
Season 1 Episode 20 - Aired 4/8/1996
Veil is snatched away by the enemy's operatives and taken on a manufactured "trip" down memory lane. Then, at the hand of one of The Organization's most twisted experts, he is subjected to an elaborate combination of chemicals and refracted light which triggers his advanced hypnosis. During the dreamlike state, he is haunted with altered memories, particularly a troublesome time when, accompanied his childhood sweetheart laura, he was a photojournalist covering Nothern Ireland. Veil is taken to the deserted Fieldstone Mansion and endures a seemingly endless loop of flashbacks; he relives happy times spent with Laura when he was a 10-year-old boy and a teenager, then tormented by the painful circumstances in Belfast. During the ordeal, he is repeatedly confronted by the enemy's sinister agent until the distraught and broken down Veil agress to relinquish the coveted "Hidden Agenda" negatives.
Director: Ian Toynton
Writer: Art Monterastelli
- 7.0/103 votes
#5 - Brothers and Sisters
Season 1 Episode 6 - Aired 10/17/1993
The seaQuest is ordered to entomb a munitions depot thought to be abandoned. However, when the crew discovers children living inside, Bridger must convince them to follow him to safety.
Director: Bill L. Norton
Writer: Art Monterastelli
- 6.5/102 votes
#6 - The Old Soft Shoe
Season 2 Episode 18 - Aired 2/16/1986
Salesman Chester checks into a motel and makes an off-hand pass at a woman. She rejects him, but soon another, jealous woman shows up to haunt him.
Director: Richard Friedman
Writer: Art Monterastelli
- 6.0/101 votes
#7 - Shine A Light On You
Season 1 Episode 16 - Aired 2/12/1996
Veil makes his way to New Mexico hoping to locate John Myerson, a name he's linked to The Organization. He arrives in a small sesert town which is in a clamor over several UFO sightings and is told that Myerson, a local scientist, mysteriously disappeared months earlier and is believed to have been abducted by aliens. Veil tracks down Myerson's daughter Helen, a young woman who is convinced that her father is being held against his will by an alien spacecraft. After witnessing the phenomenon the town believes is a UFO landing, Veil convinces Helen to show him her father's workplace, the Weaver Institute. He soon confirms his suspicions that the unknown enemy conspiring against him are the people Myerson works for, and that they're funding a dangerous electro-magnetics experiment which transmits electricity—and eventually gives ultimate control.
Director: N/A
Writer: Art Monterastelli