The Best Episodes Written By Bob Konrad

Every TV Episode Written by Bob Konrad Ranked from Best to Worst by Thousands of Voters

Bob Konrad Ratings Summary

The best episode written by Bob Konrad is "The Seahorse", rated 8/10 from 3 user votes. It was "directed by Isabel Braak". "The Seahorse" aired on 7/25/2024 and is rated 0.0 point(s) higher than their second highest rated, "Harald".

  • The Seahorse
    8.0/10 3 votes

    #1 - The Seahorse

    Season 2 Episode 1 - Aired 7/25/2024

    A surprise visit from her mother puts Kleo back on the trail of the red suitcase, which could have an unsettling link to her childhood.

    Director: Isabel Braak

    Writer: Bob Konrad

  • Harald
    8.0/10 2 votes

    #2 - Harald

    Season 2 Episode 6 - Aired 7/25/2024

    With the future of Europe hanging in the balance, Kleo prepares herself for a final confrontation in Moscow.

    Director: Nina Vukovic

    Writer: Bob Konrad

  • The Reunion
    7.4/10 10 votes

    #3 - The Reunion

    Season 1 Episode 2 - Aired 8/19/2022

    Determined to find her files, Kleo tracks down her former handler and makes her way into Stasi headquarters. Later, she seeks out Thilo in a dance club.

    Director: Viviane Andereggen

    Writer: Bob Konrad

  • The Snipe and the Clam
    6.8/10 9 votes

    #4 - The Snipe and the Clam

    Season 1 Episode 7 - Aired 8/19/2022

    After Andi is wounded by Kleo, a double agent prevents him from unpacking the conspiracy behind the red suitcase. Sven, Kleo and Min move in on a mole.

    Director: Jano Ben Chaabane

    Writer: Bob Konrad

  • Love is Pain
    6.0/10 2 votes

    #5 - Love is Pain

    Season 54 Episode 15 - Aired 4/23/2023

    When Peter Faber joins Jan Pawlak and Rosa Herzog early in the morning, the forensics team has almost finished their work. Tram driver Hamza Arkadas was stabbed during his night shift. There are no witnesses, but the images from the surveillance camera show how Arkadas was first provoked and then attacked by a young passenger. The perpetrator showed his face offensively into the camera before fleeing, but the recordings are of little help at first. He doesn't seem to be known to the police, and public prosecutor Matuschek doesn't want to go public with the pictures yet. Rosa Herzog, who took over as acting head of the homicide squad in Faber's absence, gets support from police officer Beate Gräske. She is a “super recognizer” with the special ability to recognize faces – much better than her colleagues and the technology can do. With the help of surveillance cameras, she tracks down the perpetrator...

    Director: Sabine Bernardi

    Writer: Bob Konrad