The Best Episodes Written By Eric Bercovici

Set in early 17th-century Japan, shipwrecked English navigator John Blackthorne finds intrigue and culture shock in a feudal society that puts a premium on honor. A rival Lord sentences Blackthorne to death.

Director: Jerry London

Writer: Eric Bercovici

Blackthorne and Mariko begin a romance; Toronaga continues to build his army for a battle with Ishido. Anjin-san proves his mettle during an earthquake and is honored by Toranaga for bravery. Mariko's husband Buntaro, arrives in Anjiro.

Director: Jerry London

Writer: Eric Bercovici

Treachery, tragedy and turns of events occur. Toronaga becomes SHOGUN after the defeat of Lord Ishido. Mariko is killed in the final battle at Osaka Castle. Heartbroken, but resolute, Blackthorne begins construction of another ship.

Director: Jerry London

Writer: Eric Bercovici

After Lord Toronaga rescues Blackthorn from prison, he enlists him as his aide and names him, 'Anjin-san'. Mariko is directed to tutor Anjin-san in the language and customs of Japan.

Director: Jerry London

Writer: Eric Bercovici

Anjin-san's assimilation of Japanese ways is evident in his exemplary conduct. Toranaga decides to return the Erasmus to Anjin-san. Mariko tells Father Alvito of a plot to murder a Christian lord on the Council of Regents.

Director: Jerry London

Writer: Eric Bercovici

Toshio Masaki, a powerful anti-American industrialist, kills his sister and frames her husband, an American businessman named Harry Kellem, so as to discredit America and discredit the Economic Council. Paris and Willy enter as a Kabuki artist and a fighter (along with Jim) while Barney and Dana sneak into the grounds and restage the murder as they believe it occurred but with no way of knowing how it ended well enough to convince Musaki. To create a distraction, Willy must engage in a fight with Osaki, Moshio's supposedly-unbeatable champion. Once the film is made Dana tries to blackmail Masaki and then Kellem's daughter Nobu. Paris tips the police to Dana's negotiations with Musaki and they show up as Musaki screens the film as Dana escapes (with Willy's help). Musaki panics and rips the film from the projector before it ends at the spot where the team couldn't recreate him performing the murder, thus confessing his guilt.

Director: Gerald Mayer

Writer: Eric Bercovici