The best episode written by Garry Shandling is "The Stalker", rated 10/10 from 1 user votes. It was "directed by Todd Holland". "The Stalker" aired on 6/16/1993 and is rated 0.0 point(s) higher than their second highest rated, "N.Y. or L.A.".
Larry gets a little paranoid when he learns he's being stalked by an obsessed fan.
Director: Todd Holland
Writer: Garry Shandling
Larry seriously considers either quitting the biz or moving his show to New York after the network's new owner begins to meddle with the format.
Director: Todd Holland
Writer: Garry Shandling
Larry's going out of his mind with boredom up in Montana when Artie appears with a scheme to resurrect the show.
Director: Todd Holland
Writer: Garry Shandling
Paula worries about her job when Larry gets angry with her over guests canceling, and really goes all out to convince a reluctant Danny DeVito not to cancel too. Larry and Artie try to decide what to choose as the guest gift.
Director: Todd Holland
Writer: Garry Shandling
Artie is chosen to produce the People's Choice Awards, prompting both Larry and Hank to try for a role in the show.
Director: Michael Lehmann
Writer: Garry Shandling
Larry hits it off with guest Sharon Stone, but finds he can't cope with her greater celebrity status.
Director: Todd Holland
Writer: Garry Shandling
Larry becomes convinced that Rob Reiner is snubbing him and the show, and retaliates by canceling out of a benefit.
Director: Todd Holland
Writer: Garry Shandling
Larry promises not to bump comic Jeff Cesario again, then finds the show overbooked and Hank needing four minutes for a tribute to his late father.
Director: Todd Holland
Writer: Garry Shandling
Beverly quits when Larry and Artie refuse to seriously consider her request that a job in the props department be given to a black person. Hank considers replacing Scott with a woman.
Director: Todd Holland
Writer: Garry Shandling
Larry battles his reluctance when real live spiders are scheduled for the show, and tries to find a sketch to do with guest Carol Burnett.
Director: Ken Kwapis
Writer: Garry Shandling
Jeannie becomes very jealous and accuses Larry of flirting with a playful Mimi Rogers on the show.
Director: Ken Kwapis
Writer: Garry Shandling
Hank falls asleep during the show, which is just the last straw for a fed-up Larry.
Director: Ken Kwapis
Writer: Garry Shandling
Larry is a wreck as he faces sinking ratings, no Emmy nominations, and a divorce suit from Jeannie. So Hank and Artie try to fix him up with attractive women. But the only one he really connects with is Francine, his first wife.
Director: Todd Holland
Writer: Garry Shandling
Larry is a wreck as he faces sinking ratings, no Emmy nominations, and a divorce suit from Jeannie. So Hank and Artie try to fix him up with attractive women. But the only one he really connects with is Francine, his first wife.
Director: Todd Holland
Writer: Garry Shandling
Larry decides he needs a new high-power agent to negotiate his new deal with the network.
Director: Victor Levin
Writer: Garry Shandling
Paula has trouble booking guests for sweeps week, so she leans on Larry to ask his friend Jeff Goldblum, who in turn offers to help Larry get a date with a network publicist.
Director: Todd Holland
Writer: Garry Shandling
Larry scrambles to get his last show together, and must confront David Duchovny's affections in order to secure him as a guest. Arthur tries to keep the staff's emotions together as things are packed up and the last show is done.
Director: Todd Holland
Writer: Garry Shandling
Larry's ratings are slipping and the suits are looking to replace him with regular guest host Jon Stewart. Hank tries to trade for a fan's ""Hey Now"" license plates.
Director: Thomas Schlamme
Writer: Garry Shandling
Artie works hard to make sure all of Larry's ""friends"" attend a celebrity roast in his honor while Hank tries to learn how to handle hecklers so he can be the roastmaster.
Director: Michael Lehmann
Writer: Garry Shandling
Kenny Mitchell joins the show as creative consultant and makes major changes to the format. Larry battles with the network and his agent over his contract.
Director: David Mirkin
Writer: Garry Shandling