The Best Episodes Written By Hanno Hackfort

Every TV Episode Written by Hanno Hackfort Ranked from Best to Worst by Thousands of Voters

Hanno Hackfort Ratings Summary

The best episode written by Hanno Hackfort is "The Bear", rated 8.5/10 from 2 user votes. It was "directed by Nina Vukovic". "The Bear" aired on 7/25/2024 and is rated 0.0 point(s) higher than their second highest rated, "From Russia with Love".

  • The Bear
    8.5/10 2 votes

    #1 - The Bear

    Season 2 Episode 3 - Aired 7/25/2024

    Kleo follows a lead to Belgrade, where Sven makes a romantic connection. Thilo is on a mission of his own.

    Director: Nina Vukovic

    Writer: Hanno Hackfort

  • From Russia with Love
    8.5/10 2 votes

    #2 - From Russia with Love

    Season 2 Episode 5 - Aired 7/25/2024

    Uwe is left cleaning up a mess. Sven unmasks a double agent, while Kleo heads for her family cabin in search of answers.

    Director: Isabel Braak

    Writer: Hanno Hackfort

  • Object Else
    7.6/10 8 votes

    #3 - Object Else

    Season 1 Episode 6 - Aired 8/19/2022

    Severely wounded in a shooting, Kleo has a revealing flashback. With the ominous red suitcase seemingly in hand, Sven shares a devastating truth.

    Director: Jano Ben Chaabane

    Writer: Hanno Hackfort

  • Snow in Sóller
    7.1/10 9 votes

    #4 - Snow in Sóller

    Season 1 Episode 3 - Aired 8/19/2022

    Kleo heads to Mallorca, chased by Sven. She infiltrates a party and uses a toxin to paralyze Wieczorek's wife, leading him to make a deadly confession.

    Director: Viviane Andereggen

    Writer: Hanno Hackfort

  • Love is Pain
    6.0/10 2 votes

    #5 - Love is Pain

    Season 54 Episode 15 - Aired 4/23/2023

    When Peter Faber joins Jan Pawlak and Rosa Herzog early in the morning, the forensics team has almost finished their work. Tram driver Hamza Arkadas was stabbed during his night shift. There are no witnesses, but the images from the surveillance camera show how Arkadas was first provoked and then attacked by a young passenger. The perpetrator showed his face offensively into the camera before fleeing, but the recordings are of little help at first. He doesn't seem to be known to the police, and public prosecutor Matuschek doesn't want to go public with the pictures yet. Rosa Herzog, who took over as acting head of the homicide squad in Faber's absence, gets support from police officer Beate Gräske. She is a “super recognizer” with the special ability to recognize faces – much better than her colleagues and the technology can do. With the help of surveillance cameras, she tracks down the perpetrator...

    Director: Sabine Bernardi

    Writer: Hanno Hackfort