The Best Episodes Written By Kathleen Hite

Two men want to rob the bank in Dodge, but are unwilling to try it while Matt lives. A man agrees to accept the job of killing the marshal, attaching some rather peculiar conditions to his acceptance.

After claiming he doesn't need the security of the Garret ranch, Tal leaves for Delgado---on the bet he can't stay a week.

A father's dying request is that Matt go to retrieve his daughter. Expecting to find a little girl, Matt finds a near-grown woman, but one who's wild and desperately in need of civilizing.

Chester is sweet on a widow dressmaker. When the widow is not only intent on marriage but eager to make changes in Chester as well, he has second thoughts--especially after a talk with her child suggests that the widow may still be a wife.

A headstrong young woman will undertake the long, dangerous journey to her fiancé's fort on her own if she must, so Matt nominates himself to escort her.

A hired man is sweet on his boss's daughter and disliked by his boss. When the boss is killed, his own daughter claims to have done it, but Matt is suspicious.

Released after eight bitter years in prison, Collie Patten has difficulty adjusting to the fact that things have inevitably changed with respect to his relationships with his wife, his son, and the citizens of Dodge.

Quint is hired to escort a family on the first leg of their journey to Oregon. On the way, he learns the reason for their going, a motive that could have repercussions for Quint.

Kitty has her friends in Dodge buzzing when she meets the stage in the early hours to pick up a small boy. All wonder, especially his foster parents: could his real mother be Kitty?

Chester may find himself entrapped into marriage with a drifter's daughter who isn't particular about how she lands a husband.

It's hard to tell who's the bigger cheater when a wife and her husband's jealous mistress sit down for some lethal negotiating.

Edith Miller (Claudette Colbert) believes she may be losing her mind. Wherever Edith goes, she is confronted by the appearance of an old town car.

A young man named Cale may have earned Marshal Dillon's respect, but Tate Gifford says Cale has just ridden off on a stolen horse - Tate's horse.

An adolescent escapee from a cruel orphanage knows she has a lot to learn, and she starts learning it from the rough-and-tumble characters and loafers she encounters in Dodge.