The best episode written by Michael Foley is "What Did We Do?", rated 9.5/10 from 16 user votes. It was "directed by Bill D'Elia". "What Did We Do?" aired on 11/19/2015 and is rated 0.5 point(s) higher than their second highest rated, "Who's Dead?".
ADA Sinclair discovers a break in her favor in the Hapstall case, but her actions result in a deadly outcome as details are revealed about the night Annalise was shot, including the person responsible for pulling the trigger.
Director: Bill D'Elia
Writer: Michael Foley
Annalise receives a tip about A.D.A. Atwood that leads to a heated confrontation with Nate. Meanwhile, the deadly events leading up to Annalise’s house fire reveal who’s under the sheet.
Director: Bill D'Elia
Writer: Michael Foley
It’s the evening of the bonfire and we finally see what exactly happened on the night of Sam’s death.
Director: Stephen Williams
Writer: Michael Foley
Annalise moves forward with a plan to protect the team from Philip but the risk involved may prove to be too dangerous. Meanwhile, Wes continues to search for new information regarding his mother’s death. In flashback, the Mahoney case takes a drastic turn for Annalise’s client.
Director: Zetna Fuentes
Writer: Michael Foley
In flashbacks, we start to piece together what really happened the night of Lila's murder. In present day, Annalise takes on a priest who is accused of murdering another priest. Meanwhile, Connor and Oliver take things to a new level in their relationship, and Wes and Rebecca continue to grow suspicious of each other.
Director: Laura Innes
Writer: Michael Foley
So, what exactly happened to Candace? Beck is determined to find out – but to do so, she'll have to take a page straight from Joe's book.
Director: Martha Mitchell
Writer: Michael Foley
A case gets personal for Annalise and the team when their client is a man from the projects who was sentenced to death by Asher’s father several years ago. Meanwhile, Wes is still angry at Annalise for hiding information about Lila’s case, so Annalise must convince him to get back in line. In flash-forwards, we find out exactly where Asher was on the night of the murder.
Director: Bill D'Elia
Writer: Michael Foley
After an awkward evening with Beck, Joe discovers he’s not the only one keeping secrets. Peach’s antagonistic approach to Joe intensifies.
Director: Victoria Mahoney
Writer: Michael Foley
Al and Carrie investigate the murder of a teen who seemed to have no enemies. Meanwhile, Carrie looks to her estranged aunt for help with the investigation into her sister's murder.
Director: Paul Holahan
Writer: Michael Foley
When a key witness in his murder case vanishes before testifying, Al scrambles to find her before the suspect walks free.
Director: Oz Scott
Writer: Michael Foley
Mariel begrudgingly performs an ultrasound when Christina demands to know what is growing so quickly inside of her. After the school reopens, Jesse is bothered by the way; some of the fellow students are acting. Russell and Dave investigate what Healy knew about the hybrids.
Director: Bryan Spicer
Writer: Michael Foley
Annalise takes on a new client, a transgender professor accused of killing her husband. Meanwhile, the Keating 5 are left to handle the Hapstall case and they discover a shocking new suspect.
Director: Mike Listo
Writer: Michael Foley
When Carrie’s latest case is stalled by a powerful family’s influence, she receives assistance from a lawyer who may be the mysterious caller who orchestrated a series of sniper attacks.
Director: Jean de Segonzac
Writer: Michael Foley
After an explosion destroys a crime scene, Carrie's memories become essential to the investigation.
Director: Niels Arden Oplev
Writer: Michael Foley