The best episode written by Sarah Byrd is "Small Useless Truth", rated 9/10 from 2 user votes. It was "directed by Trygve Allister Diesen". "Small Useless Truth" aired on 7/27/2014 and is rated 1.0 point(s) higher than their second highest rated, "Kanalu Hope Loa (The Last Break)".
Having put aside their differences, Sandy and Jeanne move full steam ahead with their mole hunt. The investigation experiences a serious setback, though, when Sandy learns that General Polyakov has been compromised. Through sound recordings, Sandy experiences the brutal interrogation of Polyakov who remains heroic to the end. As Sandy deals with her devastating loss, Ames prepares himself for a high-stakes polygraph test.
Director: Trygve Allister Diesen
Writer: Sarah Byrd
Three young women rob a tour bus, but things go horribly wrong when a man is killed and the women unknowingly steal something of great value that puts their lives in danger.
Director: Joe Dante
Writer: Sarah Byrd
When Philo plots to challenge Jonah's hereditary claim to the Chancellorship, Vignette intervenes.
Director: Thor Freudenthal
Writer: Sarah Byrd
The epic finale of “Carnival Row.”
Director: Andy Goddard
Writer: Sarah Byrd
Kyle's family and friends mourn the aftermath of a disaster – until a revelation from Reverend Anderson compels them to use Amber's unique powers. Allison rejoins her family in Rome.
Director: Fernando Coimbra
Writer: Sarah Byrd
Jack focuses on a woman from the past who may have been the catalyst for the murderer’s current killing spree; Betty decides to go all-in as Kent’s partner, and together they troll a club in search of a victim; Karen is offered a job with Rolling Stone, which does not please Diver; a menacing old flame of Betty’s reemerges and sets his sights on trying to reignite their troubled past; and Dianne finds herself in dire straits when her allegiances are questioned by a powerful drug lord.
Director: J. Miller Tobin
Writer: Sarah Byrd