The Best Episodes Written By Veena Sud

Clare and her companion move through the underbelly of Los Angeles with new dangers lurking around every corner.

Carl meets Clare. It's not a boy meets girl story but more like a scorpion meets prey.

Clare picks up her passenger, Carl E. A nice young man. Who lives in a mansion. On his way to the airport. Or so it seems.

Clare leaves Carl E behind after a crash. But the cops make a discovery that has her questioning her sanity.

Clare heads home to her apartment, but a complaint call to her work leads her to believe she may not be home alone.

She can run. But she can’t hide. Clare does her best to escape and find sanctuary in a nearby church.

Clare returns to the gas station to seek help from a previous acquaintance. Turns out, she may not be the only victim.

Clare forms an unlikely friendship. But a run-in with the law creates more chaos in the search for safety.

They’re on the run and wanted for murder. Clare and her friend plan to escape across the border. But Carl E is hot on their heels.

Done running. Done hiding. Clare confesses her story to the cops. Can she come up with a plan to save herself?

The chase is over. The cops are on their way. But Carl E isn't done with his game just yet.

Defeated. Desperate. Nowhere to turn. Clare feels too tired to continue. Until Carl E gives her a new reason to continue.

Sarah copes with the consequences of past mistakes; Holder wrestles personal demons; Seward is truthful.

The 1999 drowning death of a military academy's swim coach, which was originally ruled as accidental, is reinvestigated after the homicide division receives a note that suggests it was murder. Back at the office, Valens searches for Elisa after she goes missing.

Lilly and Valens reopen a presumed homicide from 1979 in which an unidentified victim's blood-drenched shoes, underwear and sheets were found in a trash bag, but no body. The investigation begins when a battered wife accuses her husband of murdering a girl in 1979 and brings in an amateur film from the time that supposedly shows him committing the crime.

When a fisherman finds evidence of a young girl's death washed up on a shore in New Jersey, Lilly re-opens the 1965 case of 4-year-old child who had a seemingly abusive mother.

Linden and Holder are confronted with the shocking truth behind the Stansbury murders.

The headless torso of a woman who disappeared in 1985, on the same day she filed domestic-abuse charges against her husband, is found by hikers in a wildlife preserve. The investigation quickly leads to the grisly discovery of 8 more decapitated bodies, the victims of a serial killer.

While covering up Lt. Skinner's sudden disappearance, Linden and Holder are assigned a new case: the brutal murder of an entire family with ties to a military academy.

Sarah and Holder's investigation comes to a close. Meanwhile, Richmond sets out on a bold new course; and a surprise source helps bring closure to the Larsens.

The identification of the mysterious Orpheus provides a vital connection to the case. Mitch and Stan reflect on the past while contemplating their family's future.

When a young woman, Rosie (Laura Regan), wakes up from a coma, Lilly re-opens the fall in which her 6-year-old daughter Toya (Aynsley Lemon) died. Things get complicated when the mother remembers very little of that night, and Lilly feels especially motivated to find the killer, as Rosie was poor and living on welfare, reminding Lilly of her own past, and giving her an emotional bond to Rosie.

The unsolved 1963 murder of a black teenager, whose body was discovered by the then-young Will Jeffries, is reopened.

Lilly re-opens the case of young girl, an overweight college freshman named Laurie, who died in a fraternity house fire in 2004. The fire was deemed accidental at the time, but a cell phone photo e-mailed from the girl's phone just moments before her death prompts a closer examination.

In 2002, two kids were shot in front of two different schools on the same day at precisely 8:03 a.m. It's the fifth anniversary of the shootings, and Kat Miller wants to re-open the murders because she feels the cases are connected.