The Best Episodes Directed By Bill D'elia

Vinnie bets that Doogie can't last in a "mindless" fast-food job.

Director: Bill D'Elia

Writer: N/A

A nurse Doogie's dating retaliates against his braggadocio by spreading rumors about him; Vinnie gets a new film-school dormmate.

Director: Bill D'Elia

Writer: N/A

ADA Sinclair discovers a break in her favor in the Hapstall case, but her actions result in a deadly outcome as details are revealed about the night Annalise was shot, including the person responsible for pulling the trigger.

Director: Bill D'Elia

Writer: Michael Foley

Annalise receives a tip about A.D.A. Atwood that leads to a heated confrontation with Nate. Meanwhile, the deadly events leading up to Annalise’s house fire reveal who’s under the sheet.

Director: Bill D'Elia

Writer: Michael Foley

The past comes back to haunt Denny when a vengeful man forces the firm to find a different outcome in a decades-old murder trial. Meanwhile, Alan is jailed for contempt of court while defending a prostitute.

Director: Bill D'Elia

Writer: N/A

Wes, Connor, Michaela and Laurel may have dug themselves in too deep a hole for Annalise to save them, and the shocking truth about Lila's murder is finally revealed.

Director: Bill D'Elia

Writer: Peter Nowalk

In the second part of the two hour season finale, George delivers stunning news to Bailey, sending shockwaves throughout the hospital, and Izzie's friends anxiously await her recovery from surgery. Meanwhile Bailey is surprisingly displeased after being accepted into the pediatric fellowship program, and the victim of a near-fatal traffic accident brings the talents of Seattle Grace's doctors together. This is the second hour of a 2-hour season finale.

Director: Bill D'Elia

Writer: Debora Cahn

Jack is released from prison. He encourages Dylan to invite all his friends to a party, but only Kelly shows up. Dylan tells Kelly that he has chosen her over Brenda, and they kiss in the hotel pool. Dylan and Kelly take Brenda for a walk to inform her of Dylan's decision, and reveal their summer fling. She screams that she will never speak to them again. The financially destitute Jack wants to dissolve Dylan's trust so that he can have access to the money. Dylan goes along with it to show faith in his father. Jim fears that Jack is taking advantage of Dylan. Mel moves out of the Taylor house. David fears that he will no longer be a part of Erin's life, but Jackie invites him to stay with Kelly and her. Nat forgets to place a winning bet for Brandon; in lieu of cash, Brandon asks for his bookie's phone number. Music: ""Come Go With Me"" by the Dell-Vikings (#4, 1957); ""The Right

Director: Bill D'Elia

Writer: N/A

Maurice sulks over what he believes is an unflattering photo taken by Holling, Maggie worries about needing glasses and getting old, and Joel tries to explain Chris' uncanny appeal to women, who is busy chasing the one woman immune to his charm.

Director: Bill D'Elia

Writer: Ellie Herman

Crane Poole & Schmidt's new lawyer makes his mark while defending a man charged with killing a judge. Meanwhile, Denny's Internet romance creates trouble at the firm, and Alan helps a cross-dresser who's out of a job.

Director: Bill D'Elia

Writer: David E. Kelley

Financial problems may force Crane Poole & Schmidt to be put up for sale in the series finale, which also finds Alan petitioning the Supreme Court for Denny's access to a non-FDA approved medicine, and Shirley and Carl planning their wedding.

Director: Bill D'Elia

Writer: N/A

Annalise and the Keating 4 test the limits of how far they’ll go to save themselves while the chilling details from the night of the fire reveal who killed Wes.

Director: Bill D'Elia

Writer: Peter Nowalk

A stunning discovery in Sam's murder case leads to changes for Annalise and the students. Meanwhile, Annalise tries to keep things business as usual by taking on a new client who is in the mob, but Hannah continues to pressure her for answers.

Director: Bill D'Elia

Writer: Erika Harrison

While in LA, Alan takes on the case of TV star Courtney Rae, who is arrested after shooting a photographer who she mistakes for a stalker. But Denny and Barry make life difficult when they won't stop making sexual advances toward their client. Meanwhile, Denise resorts to underhanded tactics to eliminate Marlene from the picture, but the plan backfires when she is caught by Paul. And Brad enlists Shirley's help in trying to persuade the judge in his niece's trial to lower the sentence.

Director: Bill D'Elia

Writer: Michael Reisz

Lincoln's obsession with Shirley takes a dangerous turn; Jerry and Alan's collaboration in a murder trial leads to a scotch-and-cigar session, which makes Denny jealous.

Director: Bill D'Elia

Writer: David E. Kelley

Senior partner Carl Sack clashes with Denny after the latter is arrested. Meanwhile, Shirley needs Alan's help when a university wants a donation, and Jerry assists another new attorney in a homicide case.

Director: Bill D'Elia

Writer: David E. Kelley

The judge gives Billy only a day to make a compelling offer of proof before he dismisses the lawsuit.

Director: Bill D'Elia

Writer: Jonathan Shapiro

Tensions in the Keating household run high, as each student struggles in their own way trying to return to normalcy. In a flashback, we’ll learn new details about Annalise’s past.

Director: Bill D'Elia

Writer: Erika Harrison

Frank clashes with Charlie to protect Babbit, who has become the subject of an investigation.

Director: Bill D'Elia

Writer: Mark Lafferty

Bartlet struggles to name a nominee to the Supreme Court when the perfect nominee turns out to be not so perfect. A congressman attacks the staff, claiming that 1 in 3 use drugs.

Director: Bill D'Elia

Writer: Aaron Sorkin

In the first part of the two hour season finale, Izzie spends time with a fellow cancer patient and contemplates whether or not to undergo a risky surgery, as Mark is ready to take his relationship with Lexie to the next level and a patient makes Owen reassess his place at Seattle Grace.

Director: Bill D'Elia

Writer: Debora Cahn

A case gets personal for Annalise and the team when their client is a man from the projects who was sentenced to death by Asher’s father several years ago. Meanwhile, Wes is still angry at Annalise for hiding information about Lila’s case, so Annalise must convince him to get back in line. In flash-forwards, we find out exactly where Asher was on the night of the murder.

Director: Bill D'Elia

Writer: Michael Foley

Josh, determined to make sure a foreign aid bill passes even though it's a hopeless cause, sends Donna out to track down a reluctant senator; in an attempt to impress Zoey's new boyfriend, Charlie unwittingly gets over his head with the Department of Defense; Danny continues to pursue the Shareef matter; a Bartlet photo op with Heifer International creates unexpected opportunities -- for C.J. to perfect her spin-doctoring techniques, and for the staff once again to test Will's mettle and sense of humor.

Director: Bill D'Elia

Writer: Aaron Sorkin

Steve is taken off the waiting list and accepted to California University. A producer hoping to entice Samantha to star in a sitcom allows Steve, Brandon and Celeste use of his beach house for a few weeks. The gang throws a blow-out bash the night before Brenda is to leave for Minnesota. Kelly comes home early from Europe--without Dylan. She claims that all is well, but later confesses to Donna that the couple broke up. Jill, the producer's daughter, finds Brandon in her father's trashed house and believes that he is a burglar. Steve has had a crush on Jill for years, and annoys Celeste by falling all over her. However, Jill is actually attracted to Brandon. Brenda's friends in Minnesota constanly pepper her with questions about Beverly Hills. She fears she has made a terrible mistake, but Cindy insists that the situation will improve. Dylan tries to call Brenda from Europe, but she is not in her room. David has difficulty finding an apartment after he fails to get into a dormitory. Ke

Director: Bill D'Elia

Writer: N/A

Joel decides to explore the fascination of hunting by accompanying Chris and Holling on their annual pilgrimage. Ed becomes worried and over solicitous when he learns that Ruth-Anne is seventy-five years old.

Director: Bill D'Elia

Writer: N/A