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All Episodes of Manuel on the Island of Wonders

Browse all episodes of Manuel on the Island of Wonders

Binge this in UnknownPeaking at 8.2/10

This three part French TV serial for children (alternate versions exist as a feature, Manoel’s Destinies, and a 4 part Portuguese TV serial, Adventure in Madeira) is the favourite of many devotees of Raúl Ruiz.

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Season 1

  • Le Jardin interdit
    8.2/1033 votes

    Le Jardin interdit

    Season 1 Episode 1 - Aired 1/1/1984

    Part One presents us with three possible worlds. In each world, seven year-old Manoel has a different response to an entreaty from the outside world. Fittingly, in this film in which nothing coincides, the three parts of the story do not coincide with the three-episode structure (the trinity-form recurs frequently in Ruiz). In this case, past, present and future – the unholy trinity or Time en soi – is the film’s very protagonist, variously called ‘long ago’ (Part One), ‘now’ (Part Two), and ‘future’ (Part Three). At the outset, this gives the story an apparent order before digressions take it over.

    Director: Raúl Ruiz

    Writer: Unknown

  • Le Pique-nique des rêves
    7.7/1031 votes

    Le Pique-nique des rêves

    Season 1 Episode 2 - Aired 1/1/1984

    Part Two (the status of which is at first confusing since it begins after the three mini-narratives of the first Part and before the end of Episode One) is entitled ‘The Picnic of Dreams’. Whilst vaguely ‘keeping to the storyline’, it veers off in many different directions, where the thematic coupling ordinary/special replaces the familiar/unknown dualism of Part One. (Each Part is guided by a thematic ‘dominant’, a pair of notions that tend to exchange their meanings as it progresses.)

    Director: Raúl Ruiz

    Writer: Unknown

  • La Petite Championne d'échecs
    7.4/1030 votes

    La Petite Championne d'échecs

    Season 1 Episode 3 - Aired 1/1/1984

    Part Three (beginning in Episode Two), entitled ‘The Little Chess-Champion’, hands the (until now) off-screen voice-over narration to Manoel himself. He promises to tell his own story, but adds that it’s ‘a story that I made up in my distant childhood and that happens in the future’. The tone is less Baroque, more Gothic, as Ruiz explores the ‘wonders of the night’. The filmmaker’s obsession in this section concerns perception and the deciphering of secret signs and codes.

    Director: Raúl Ruiz

    Writer: Unknown